EXHIBITIONS/PERFORMANCES/CONCERTS
2011
"Recital for a black dress", performance for Gagarin at SMAK museum, Ghent
"Painting Show" group show curated by Sophie von Hellermann & Gavin Wade, Eastside Projects, Birmingham
"Hit & Run" group show curated by Stephane Berard, Marion Meyer Contemporain gallery , Paris
"After Shelley Duvall '72 (Frogs on the High Line)" curated by Bjarne Melgaard, paintings and performance in collaboration with John Russell, Maccarone Gallery (New York)
"Oysters and Goats" solo show curated by Sonia Dermience , Komplot (Brussels)
"Off Modern" group show curated by Yann Chevalier, Galerie de l'Espace Diderot, Rezé (France)
"120 dessins contre la guerre du Vietnam" curated by Damien Airault & Komplot (Le comissariat Paris & Komplot, Brussels)
"Fuck me" performance for the group exhibition "Kathy Acker; the Office Ruling n’ freaking" curated by Dorothée Dupuis & Géraldine Gourbe, Triangle (Marseille)
"I am not a good enough feminist" group exhibition curated by Melanie Kress & Kate Ryan, Concrete Utopia (New York)
"A lecture on my face n°2" performance for the exhibition "What a serious horror writing a play "Hello man from kebab house” (Josef Kramhöller)", curated by Franziska Hufnagel, Kienzler art foundation (Berlin)
"Art and Religion", talk at the ICA (London)
2010
"God is a virus", Performance, in "Night & Day Performance Weekend", Modern Art Oxford
"Nobody wants me" video sceening in "All That Glitters is Not Institution" by Art collective Scare in the Community, Whitechapel Gallery (London)
Creation of La Fundación de la Rebelión, project space and newsletter, with the help of Mairie du 18ième (Paris)
"Bizarre", Concert with Sil Matadin, World Music and Dance Centre for Cultura TV (Rotterdam)
video screening in Dance film festival, Chisenhale Dance Space (London)
2009
"Bizarre", edition of 5 000 cd by Serralves Museum & Publico (Porto)
"Bizzare", first live with Sil Matadin, Smart Project Space (Amsterdam)
"Transmission" group show curated by Delphine Reist, manoeuvres 2/3 (Geneva)
"Pan demonium", curated by Gillian Whiteley for bricolagekitchen, AC institute (NY)
"Sisters" first live with Sil Matadin, Charly Amadou Sy and Abdoulaye Traoré, CNEAI (Chatou)
"Fabienne Audéoud & Roger Turner" (concert), Magasin (Grenoble)
"Fabienne Audeoud, Abdoulaye Traoré and Guesh Patti" pour "Opération Tonnerre" performance, Mains D'oeuvres (Saint-Ouen)
2008
"Ne pas jouer avec des choses mortes" curated by Éric Mangion & Marie de Brugerolle, Villa Arson (Nice)
"Loving Revolution" curated by Szuper Gallery, Kiasma Museum of Contemporary Art (Helsinki)
"The avant-garde…" performance withToshiko Oiwa, Renaud Bézy and Guillaume de Savigny, Cité Internationale des Arts (Paris)
"Listening to bobby few" & "The danger of jazz in art" performance with Bobby Few, Cité Internationale des Arts (Paris)
"Fabienne Audéoud & Roger Turner " , concert, Instants Chavirés (Paris) and Festival de Jazz et de Musique Improvisée de Besançon (Besançon)
"Fabienne Audéoud invites Iswhat?!", concert, curated by Judith Quentel &, Centre d'art de Chamarande
"Read my lips", concert, la Station (Nice)
2007
"Off Modern" group show curated by Yann Chevalier, la station , Nice
"Intrusions" group exhibition and concert, curated by Nathalie Viot and Anne Sudre, Petit Palais ( Paris)
"Monsieur Jean-Paul" curated by Jean-Paul Jacquet, Maison Grégoire, Bruxelles
"The sneeze" video in a project curated by Peter Lloyd Lewis and Natasha Makowski at Iziko south african national gallery, Durban Art Gallery (South Africa), Ottowa City Art Gallery, Canada, A Gentil Carioaca, Rio de Janiero, Brazil. The Govett- Brewster Art Gallery, Contemporary Art Museum, New Plymouth, New Zealand.
"Friday Late", curated by Rosie Cooper, V&A Museum (London)
"la Galerie de la Butte", a collaborative project room with Renaud Bezy, Paris
"Art &", lecture performance, for a series convened by John Russell and Alun Rowlands ICA london
"Hit it" , performance in collaboration with Jay, Magazin4, curated by for 4'33'', (Bregenz)
"The Hit" , performance in collaboration with don ahmed B, Jay and HHY & concert "read my lips" with Don Ahmed B for the Serralves Festival June 2007 (Porto)
concert "read my lips" with Jay for "les nuits blanches" Petit Palais (Paris)
concert "read my lips" with Don Ahmed B for the opening of the show "urban connections", Centre d'art de Chamarande
concert "read my lips" with Don Ahmed B, Divan du Monde (Paris)
2006
"Writing in strobe", curated by Andrew Hunt, in collaboration with John Russell , Dicksmith Gallery (London)
"Extremely happy" lecture performance commissioned by Wild Gift (Rosie Cooper and David Lillington), various places in Tunisia and Rio Cinema (London)
Concert "read my lips" with Don Ahmed B, Point Ephémère (Paris) as part of Salon#3,
Concert in collaboration with Guy Bar Amotz, Platform for art (London)
Voice performance for "The body as a tool. The body as matter", Fundaçao Serralves, Porto (Portugal)
"The Withdrawal from Conversation; The Return to the Oceanic / The weight of the Breast: Twenty Women Play theDrums Topless", performance with John Russell based on an original idea by Wayne Lloyd, Fundaçao Serralves (Porto)
Voice performance for "Bleed" Colchester Arts Centre
2005
"Pourquoi les femmes aiment-elles l'enfer ?" in collaboration with John Russell, curated by Yann Chevalier, Le Confort Moderne (Poitiers)
"Hotspots", group show curated by Christine Humpl, with Olivier Bardin& Loris Greaud, Sammlung Essl Kunst des Gegenwart (Vienna)
"Apartes", Festival Internacional de Teatro Clásico de Almagro, Fundación Cultura y Deporte, Almagro (Spain)
"Old money " ,in collaboration with John Russell, curated by Cedar Lewisohn, Intermedia Gallery (Glasgow)
"Post No Bills", in collaboration with John Russell, an exhibition of artists' posters curated by Matthew Higgs at White Columns (New York)
2004
"Sneeze 80 x 80", Gazon Rouge Gallery, curated by Pete LLoyd Lewis, (Athens)
"Voicing the vagina"* in collaboration with John Russell, curated by Mark Beasley for Book Work as part of the touring show "Infra thin projects" (London)
"Videodreams: between the cinematic and the theatrical"*, in collaboration with John Russell, curated by Adam Budak et Peter Pakesch, Kunsthaus Graz (Austria)
"Like beads on an abacus designed to calculate infinity", curated by Andrew Hunt, Rockwell (London)
"I love you ", performance pour voix, Viinistu 2004 (Estonie) et pour Vollevox (Bruxelles)
"A Lecture on my face" et "One does not comfort a musician who plays a sad piece" for the group show "Hit and Run" curated by Smart Project Space Amsterdam et Platform Garanti (Istanbul )
"A Lecture on my face"* for Vollevox curated by Komplot Théatre du Mercellis (Bruxelles)
Voice performance, as part as "Feuilleton", Marres (Maastricht)
2003
"Rendez-vous 2003", in collaboration with John Russell, Galerie des Terreaux, Musée d'Art Contemporain de Lyon (Lyon)
"The Withdrawal from Conversation; The Return to the Oceanic / The weight of the Breast: Twenty Women Play the Drums Topless", in collaboration with John Russell, Ideal Standard (Brussels)
"Now What? Dreaming a better world in 6 parts", in collaboration with John Russell, curated by Annie Fletcher and Liutauras Psibilskis, Basis voor Actuele Kunst (Utrecht)
"Science fiction double feature", in collaboration with John Russell, curated by AAS, Ikon Gallery, Custard Factory, BIAD and Springhill Institute
"Tourette's II", in collaboration with John Russell, film screening, W139 ( Amsterdam)
"Independance", curated by Donna Lynas, South London Gallery (London)
"White Window", in collaboration with John Russell, film screening, La Malterie (Lille)
"Hurts so good"*, in collaboration with John Russell, Vilnius Contemporary Art Centre
"Vídeos de Ocasión", film screening, Fundació Antoni Tàpies (Barcelona)
"The problem with art is, maybe, dance", with the participation of Oqpo, W139 (Amsterdam)
"The Withdrawal from Conversation; The Return to the Oceanic / The weight of the Breast: Twenty Women Play the Drums Topless", with John Russell, based on an idea by Wayne Lloyd, off site projects curated by de Helen Legg and Michael Stanley, The Ikon Gallery (Birmingham)
"A Lecture on my Face" as part of "Into the Breach", Smart Project Space (Amsterdam)
2002
"Art Crazy Nation Show", in collaboration with John Russell, curated by Matthew Collings, Milton Keynes Gallery( Milton Keynes)
"Performing bodies", Kulturhuset at Sergels Torg, Moderna Museet (Stockholm)
"Strike"*, curated by Gavin Wade, adjusted by Liam Gillick, Wolverhamton Art gallery, 2002, (Wolverhamtpon)
"The Nobility of the Soul", Konstakuten (Stockholm)
"Arturas Raila, Fabienne Audéoud and John Russell", Gallery IBID.projects, Vilnius
"The Greatest Show on Earth", in collaboration with John Russell, Folkestone Art Gallery
"Abstract Painting",painting show in collaboration with John Russell, with the performance "For the Opening the Artists will be Well Dressed", curated by Paulette Terry Brien and Laurence Lane, The International 3 (Manchester)
Voice performance for the series "Lost&Found'', Stadsschouburg Theatre (Amsterdam)
"The Withdrawal from Conversation; The Return to the Oceanic / The weight of the Breast: Twenty Women Play theDrums Topless", with John Russell based on an original idea by Wayne Lloyd, curated by Donna Lynas, South London Gallery
2001
"Love Sick", curated by Veronica Diesen and Crispin Johannessen, Bergens Kunstforening Bergen (Norway)
"Abstract Painting" en collaboration with John Russell, the International 3 (Manchester)
"Woof Woof. Becoming animal"* in collaboration with John Russell,curated by Beáta Veszely and Grant Watson, Austrian Cultural Institute (London) and Art Projects (Dublin)
"The air palpably thickens..." in collaboration with Ana Peraica and Katherina Zakravsky, Marres Art Centre (Maastricht)
"Out of Sort"*, Ormeau Bath Gallery (Belfast)
"Century City", in collaboration with John Russell, Curated by Emma Dexter, Tate Modern (London)
"Gymnasion"*, in collaboration with John Russell, curated by Peter Lewis and Wolfgang Fetz, Palais Thurn & Taxis, Bregenzer Kunstverein
"Becks Futures 2"*, in collaboration with John Russell, ICA (London); Fruitmarket Gallery (Edinburgh); Bluecoat Gallery0(Liverpool); Laing Art Gallery (Newcastle); Sotheby's (New York)
"Insider Trading", in collaboration with John Russell, Mandeville Hotel (London)
"The Big Screen", The Fringe Club (Hong Kong)
"Night In", Gaswork Gallery (London)
"A Lecture on my Face", for the series "Being Very Close" curated by Donna Lyans, South London Gallery and for the exhibition "Out of Sort''*, Ormeau Bath Gallery (Belfast)
"The artist, the curator and the philosopher", in collaboration with Katherina Zakravsky and Ana Peraica, Jan van Eyck Academie (Masstricht)
Voice performances for the opening of "Woof Woof"*, Austrian Cultural Institute (London ) and Art Projects (Dublin) and in collaboration with Buy Bar-Amotz for the opening of "Positive Vibrations", W139 (Amsterdam)
2000
"Performing bodies", film screening festical curated by Iwona Blaswick and Helena Blaker, Tate Modern (London)
"There is nothing more profane to a man as an ugly woman…" in collaboration with John Russell, Beaconsfield Gallery (London)
"Ne Travaillez Jamais", Metastudio (Munich)
"Deeply Buried", curated by Donna Lynas, South London Gallery (London)
"Include Me Out", in collaboration with John Russell, Provost Street (London)
"Songs sung by men from the point of view of a woman", Platform Gallery, curated by Silke Knap, (London)
"Walk 2000", Succession (London)
"Haven Lodge", in collaboration with John Russell, curated by Peter Lewis (Ramsgate)
"One does not comfort a musician who plays a sad piece", voice performances, Oval House Theatre (London)
"John Russell kills Fabienne Audéoud in the style of William Burroughs", with John Russell, for the opening of "Cover Version” The Trade Apartment (London)
"Genuss Luxus Stil, sstems ideological milieu", in collaboration with Josef Kramhöller, Orbit House (London) and ProQM (Berlin)
1999
Voice performances for: "Night of the Living Tongues", The Junction (Cambridge); "Writing Aloud", ICA (London) "In the Event of Text"* (University of Utrecht)
"De-learning To Play The Piano"*, four month performance commissioned by Work & Leisure International, last intervention at the Annual Program Gallery (Manchester) (see catalogue)
1998
"Videotanzpreis", SK Stiftung Kultur ( Essen )
"In Significant's"*, Chokladenfabriken (Malmö)
"New Contemporaries 98"*, Tea Factory (Liverpool), Camden Art Centre ( London ) and Hatton Gallery (Newcastle)
"Gallery Chant", Bond Gallery (Birmingham)
Voice performances for: "Charge Live Art Festival", Colchester Art Centre (Colchester) and "Lust Festival", ICA (London)
1997
"Multiple Choice", group show curated by Silke Otto-Knapp, Adrian Jones, Matthew Higgs, Sadie Murdoch, David Williams, Cubitt Gallery (London) (site)
"Travel Light", curated by Mark Beasley, Birmingham Art Trust (Birmingham)
"Spiritual Drafts", multimedia recital, Turtle Key Art Centre and Cubitt Gallery (London)
1996
"The melon's smile", multimedia recital, Jackson 's Lane Theatre (London) and The Power House (Nottingham)
1995
"Take me, for example...", multimedia recital, Lilian Baylis Theatre at Sadler's Wells (London)
1994
"If, I…" multimedia recital, Lilian Baylis Theatre at Sadlers' Wells (London)
"Narcissus", music and libretto of the chamber opera, directed by Belisa Jaoul, ICA (London)
1993
"The King Comm", music and libretto of the chamber opera produced by the English National Opera, directed byStephen Langridge, Britten Theatre (London)
"The Voice of a Few Thoughts", performance for voice and electronics, Lutoslawski Festival, Theatre of the Guildhall School of Music and Drama (London)
"To be", musical theatre, Theatre of the Guildhall School of Music and Drama (London)
1992
"Décomposition", multimedia recital In collaboration with Sandrine Rondard, Théâtre Confluences, Les Nuits Bleues, Amphithéâtre de l'École Supérieure de Commerce de Paris
MUSIC COMMISSIONS AND RECORDINGS (selection)
music for documentaries: "les bébé eprouvettes sont ils les enfants du bon dieu? " see ARTE site; "Les trentenaires" canal+, films by Michèle Dominici.
music for contemporary dance: The Royal Ballet, the Zurich Ballet, Matthew Hawkins Dance Company, Second Stride Dance Company, Zbang Dance Company, Diamond Dance, the BBC singers, Icebreaker, DV8 Physical Theatre;
Music for the theatre pieces "Mölle, Mölle, Môlle", "La vie, là" by Belisa Jaoul and for the dance film "Mile O" de Katrin Oettli and Tamara Stuart Ewing
Numerous concerts with percussionist Roger Turner
Recordings with Unknown Public, Swarf Fingers, Emanem , Vollevox
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PUBLICATIONS
2011
"Everything should be said..." Gagarin #23
2010
"Have faith” with France Vallicionni in "Y the black issue",Ystads Konstmuseum (Sweden)
2006
"From Audéoud to Zhao Bandi", Ikon Gallery
The Body of the Voice by les presse du réel
2004
"Voicing the Vagina", eight posters, Infra thin Projects Book Works
"Now What? Artists Write " , ed Mark Kremer, Maria Hlavajova and Annie Fletcher, p 82/83
2003
"The conversation that saves us – didn't", Proceeding #1 (Jan van Eyck Academie)
"Surrealism Towards Comfort", Frozen Tears, (ARTicle Press)
2002
"For the Opening the Artists will be very Well Dressed", Everything Magazine
"The Shape", Strike, (Alberta Press London)
"Les fautes de calculs d'Oliver Bardin", Télévisions, (Frac Languedoc-Roussillon)
2000
"Good Proportions for a Good Music", Variant (Nov)
STUDIES
1996/98 MA Fine Art, Goldsmiths University (London )
1993/94 Advanced Composition Class with Simon Bainbridge, Guildhall School of Music and Drama (London)
1988/91 École Supérieure de Commerce de Paris, 4 months at the Humboldt Universität (Berlin)